“ A Far Off Promise“ and “ The Girl Who Stole the Stars“ made us cry, only for “ To Far Away Times“ and “ The Dream That Time Dreams“ to lift us up again, ready to dream anew. Others, like “ Battle with Magus“ and “ Schala’s Theme,” set the stage for epic battles and illuminating discoveries. ” Meticulously crafted by Mitsuda, these themes encouraged us to wonder as we wandered, to dream of faraway lands, and to envision the world as it carried our protagonists, Chrono and Serge, from place to place.Ĭertain tracks, such as “ Corridors of Time“ and “ Drowned Valley ,” introduced us to exotic locales and mysterious ruins. Setting off from home and traveling across the worlds of Chrono Trigger and Cross, we listened to curious and whimsical overworld themes, including “ Memories of Green“ and “ Wind Scene“ as well as “ Fields of Time – Home World“ and “ On the Beach of Dreams – Another World. From the calm, cascading harp notes of “ Morning Sunlight“ and soothing strings of “ Peaceful Days ,” to the warm, welcoming melodies of “ Arni Village – Home World” and “ Arni Village – Another World ,” Chrono ’s music lifted our spirits and set our expectations for the journeys to come. The music is that good.įrom the very beginning of either game, Mitsuda’s music welcomed us into new, strange, and exciting worlds. ![]() The truth is, I could run my finger through either game’s 3-disk, 60-odd-track list of songs, select one at random, and chances are, it’ll be worth listening to. Cross, meanwhile, shifted its focus to a tropical, island-vacation sound that not only managed to rival its predecessor, but also carved out a unique feel and focus all its own. The former introduced a style of groovy, foot-tapping jazz that has yet to be surpassed, even by current Japanese video game standards. While many may argue Nobou Uematsu and Yoko Shimomura have provided more for Square Enix with their numerous contributions to the Final Fantasy and Kingdom Hearts franchises, Yasunori Mitsuda deserves special mention for his work on two games that, frankly, need no introduction.Ĭhrono Trigger and Chrono Cross are the epitome of classic JRPG music. You can’t make a serious list of all-time great gaming soundtracks without a nod to legendary composer Yasunori Mitsuda. ![]() In no particular order, here are eight video game soundtracks we believe stand miles beyond the competition:Ĭhrono Trigger and Chrono Cross Nominated by David Silbert These soundtracks gave us an unparalleled sense of scope one minute, made us draw tears the next, and almost always inspired triumph and feelings of innocent joy. While individual songs like “One Winged Angel” or “Zelda’s Lullaby” created standout moments that will live on for generations, we wanted to take a moment and recognize the games that provided not just one “wow” musical-driven memory, but an entire arsenal to draw upon. ![]() ![]() With our tens of thousands of combined hours logged, spanning games from every genre imaginable, we’ve compiled the video game soundtracks that have redefined industry standards, providing something truly spectacular. In a new segment, the Punished Backlog writers are out to determine some of video games’ all-time bests.
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